Sans Normal Bomab 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Gilmer' by Piotr Łapa, 'Primeform Pro' and 'Turis' by Punchform, and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: ui text, product design, signage, editorial, presentations, modern, neutral, clean, technical, friendly, clarity, versatility, contemporary tone, system readiness, readability, open apertures, rounded forms, even color, clear numerals, simple terminals.
A contemporary sans with round, constructed forms and an even stroke that keeps texture consistent across lines. Counters are generous and apertures stay open, giving letters a clear, breathable feel. Terminals are clean and largely straight-cut, while curves are smooth and circular, producing a tidy rhythm in both uppercase and lowercase. Numerals follow the same simple geometry, reading crisply alongside text without ornamental detail.
This font suits interface labels, dashboards, and product surfaces where clarity at varied sizes matters. Its clean geometry also works well for signage and wayfinding, and it can carry editorial subheads or short paragraphs with a crisp, contemporary tone. For presentations and brand systems that need a neutral, modern backbone, it provides a stable, readable voice.
The overall tone is modern and neutral, with a quietly friendly character coming from its rounded shapes and open spacing. It feels pragmatic and dependable rather than expressive, leaning toward a straightforward, contemporary voice suited to information-forward design.
The design appears intended as a versatile, no-nonsense sans focused on clear letterforms and consistent rhythm. Its rounded construction and open counters suggest an aim for comfortable readability while maintaining a modern, system-ready aesthetic.
Uppercase proportions are balanced and stable, while the lowercase maintains an uncomplicated, highly legible structure with single-storey-style simplicity where visible and minimal modulation. The punctuation and basic forms shown suggest a focus on clarity, with no visual tricks—just consistent geometry and steady line color.