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Free for Commercial Use

Sans Normal Vunot 12 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Applied Sans' by Monotype, 'PG Gothique' by Paulo Goode, 'Hoxton North' by The Northern Block, 'Carnova' by Typotheticals, and 'Premium Sans' by ZeeshanFoundry (names referenced only for comparison).

Keywords: ui text, branding, headlines, packaging, signage, friendly, modern, clean, approachable, casual, readability, approachability, versatility, contemporary tone, rounded, soft terminals, open counters, even rhythm, low contrast.


Free for commercial use
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This typeface is a rounded sans with smooth, monoline strokes and consistently softened corners throughout. Letterforms lean on simple geometric construction—circular bowls, gentle arcs, and straight stems—while keeping proportions practical and highly legible. Terminals are noticeably rounded, giving joins and endings a soft, finished feel; counters stay open and clear, and the overall spacing reads even and calm in text. Numerals follow the same rounded, low-contrast logic, matching the letters in weight and curvature for a cohesive set.

It suits interface copy, product branding, and general-purpose editorial or marketing text where a clean, welcoming sans is needed. The rounded detailing also makes it a strong choice for packaging, wayfinding, and short headlines that benefit from a softer, more personable impression.

The overall tone is friendly and contemporary, with a mild, approachable warmth coming from the rounded terminals and smooth curves. It feels neutral enough for everyday communication, while still projecting a slightly playful, human touch rather than a starkly technical voice.

The design appears intended as a versatile, all-purpose rounded sans: straightforward geometry and steady rhythm for readability, paired with softened terminals to create a friendlier, more inviting presence across digital and print applications.

Curves and corners are treated consistently across uppercase, lowercase, and figures, which helps the design feel unified in running text. The shapes avoid sharp points and abrupt transitions, prioritizing smoothness and clarity over expressive contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸