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Sans Normal Udgev 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Miss Mable' by Cory Maylett Design, 'Indecise' by Tipo Pèpel, and 'Globe' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, assertive, sporty, industrial, retro, space-saving impact, display strength, branding clarity, attention grabbing, compact, high-impact, sturdy, blocky, punchy.


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This typeface uses compact, vertically oriented proportions with heavy strokes and tight internal counters. Curves are broadly rounded but controlled, paired with straight-sided stems and clear, squared terminals that keep the silhouettes firm. The overall rhythm is dense and muscular, with simple construction and minimal detailing; apertures tend to be small, and joins read as robust rather than delicate. Numerals and capitals carry a consistent, sign-like weight distribution, while the lowercase keeps the same chunky voice and a straightforward, utilitarian build.

It performs best where strong presence is needed: headlines, posters, and short emphatic statements. The compact width makes it useful for space-constrained applications such as packaging, labels, and signage. It can also suit sports branding and promotional graphics where a dense, powerful texture is desirable.

The tone is bold and no-nonsense, projecting confidence and impact over refinement. Its compressed, heavyweight presence evokes athletic branding and industrial labeling, with a slightly retro, poster-like immediacy. The overall feel is direct, energetic, and built to command attention at a glance.

The design appears intended to deliver maximum visual impact in a compact footprint, balancing rounded forms with sturdy, straight-sided structure for clarity at display sizes. Its consistent, simplified shapes suggest a focus on bold branding and attention-grabbing messaging rather than extended text comfort.

The narrow set width concentrates black density, so spacing and line breaks will strongly influence readability in longer passages. Round letters retain enough curvature to avoid feeling purely geometric, but the restrained counters and firm terminals keep the texture dark and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸