Sans Superellipse Hidim 10 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Jawbreak' by BoxTube Labs, 'Chamferwood JNL' by Jeff Levine, '3x5' and 'Block Capitals' by K-Type, 'NT Gagarin' by Novo Typo, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, industrial, techy, assertive, sporty, retro, compact impact, modular geometry, high contrast silhouettes, brand emphasis, blocky, rounded, condensed, stencil-like, geometric.
A compact, heavy display sans built from squared-off, rounded-rectangle forms with consistent stroke weight and tight interior counters. Corners are broadly radiused, giving letters a superellipse feel, while many joins and terminals resolve into crisp, right-angled cuts. The overall rhythm is vertical and compact, with short crossbars (E/F), a squared bowl and counter construction (B/P/R), and pointed diagonals in K/M/N/V/W that contrast with the rounded bowls. Lowercase shapes follow the same boxy logic (single-storey a, compact e, angular s), and figures are similarly rectangular with strongly rounded outer corners and small, squared counters (notably 8/9/0).
Best suited to short, high-impact settings such as headlines, posters, logotypes, product marks, sports or esports graphics, and bold packaging. It can also work for UI labels or wayfinding-style callouts when used at sizes that preserve the small counters and tight apertures.
The tone is bold and utilitarian, balancing friendly rounded corners with a mechanical, engineered stiffness. It reads as modern and tech-adjacent, with a subtle retro arcade/scoreboard flavor due to the tight counters and squared geometry.
The design appears intended to deliver maximum punch in a compact width, using rounded-rectangle construction to keep forms cohesive and highly repeatable. Its geometry prioritizes strong silhouettes and a disciplined, modular system that stays consistent across uppercase, lowercase, and numerals.
The condensed proportions and tight apertures create strong color and high impact at large sizes, but the small counters suggest careful sizing and spacing may be needed as text gets smaller. The design’s mix of rounded outer corners and sharp internal cuts gives it a slightly stencil-like, modular personality without obvious breaks in the strokes.