Sans Normal Jiruh 2 is a bold, very wide, medium contrast, upright, normal x-height font.
Keywords: logotypes, headlines, posters, packaging, gaming titles, playful, futuristic, bubbly, retro, display impact, branding, playful tone, retro-future feel, rounded, soft, inflated, tapered, teardrop terminals.
A heavy, rounded display sans with broad, oval counters and a soft, inflated silhouette. Strokes stay consistently thick but end in tapered, teardrop-like terminals that create a lively, brush-cut rhythm without forming true serifs. Many letters lean on circular and elliptical construction, with generous interior space and simplified joins; diagonals and cross-strokes are often reduced to swooping wedges or short cuts, keeping the texture smooth and low-detail. Overall spacing reads open and airy for such a dense weight, producing a chunky, highly graphic word shape.
Best suited to short, high-impact settings such as logos, headlines, poster typography, packaging, and entertainment or gaming titles where its distinctive silhouettes can carry the design. It works especially well at medium to large sizes where the tapered terminals and internal cuts remain clear and contribute to the energetic texture.
The tone is playful and slightly sci‑fi, mixing bubbly friendliness with a sleek, stylized edge. Its pointed terminals and swooping cuts add motion and a hint of retro-futurism, making the voice feel energetic rather than neutral.
Likely designed as a characterful, rounded display face that stays friendly and approachable while adding speed and personality through tapered terminals and streamlined, elliptical construction. The goal appears to be memorable word shapes and strong branding presence rather than neutral body-text regularity.
Distinctive terminal shaping is a defining feature: ends frequently pinch to points, giving curves a calligraphic snap even while the overall build remains rounded. The design prioritizes silhouette and rhythm over conventional typographic detail, so letter recognition relies strongly on the font’s consistent internal cut patterns and large counters.