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Free for Commercial Use

Sans Normal Kunaf 1 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FS Elliot' and 'FS Elliot Paneuropean' by Fontsmith; 'Binate' by Monotype; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, branding, posters, sportswear, packaging, dynamic, sporty, modern, confident, energetic, forward motion, display impact, modern clarity, brand presence, rounded, geometric, slanted, clean, compact.


Free for commercial use
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A heavy, right-slanted sans with rounded, geometric construction and smooth, low-contrast strokes. Curves are broad and stable (notably in C, O, S), while diagonals are assertive and give the design a forward-leaning rhythm. Terminals are clean and mostly blunt, with gently softened corners that keep the texture friendly rather than sharp. Counters stay open and simple, and proportions feel slightly compact in the lowercase with sturdy stems and controlled apertures for a dense, cohesive line.

Best suited to branding, headlines, and short copy where a dynamic slanted sans can carry personality and impact. It works particularly well for sports and fitness communication, posters, packaging, and promotional graphics that benefit from a strong, forward-driving texture.

The overall tone is fast, contemporary, and performance-minded, with a confident presence that reads as active and purposeful. The slant adds motion and urgency, making the voice feel energetic and headline-ready rather than quiet or bookish.

The design appears intended to deliver a modern, energetic sans voice with an inherent sense of motion, combining geometric roundness with a pronounced slant for emphasis and immediacy. Its sturdy shapes and simplified detailing suggest a focus on legibility and consistency in bold, attention-grabbing applications.

Numerals match the letterforms with rounded geometry and strong diagonals, producing a consistent, punchy set for scores, pricing, or short data. The italic angle is prominent enough to create movement in paragraphs, but the uniform stroke weight and generous internal shapes help preserve clarity at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸