Print Isleb 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Generic' by More Etc, and 'Artico Soft' by cretype (names referenced only for comparison).
Keywords: children’s books, posters, packaging, headlines, stickers, playful, friendly, bubbly, casual, kidlike, approachability, playfulness, handmade feel, display impact, youthful tone, rounded, soft, chunky, blunt, bouncy.
A very heavy, rounded print style with soft corners and slightly uneven, hand-drawn contours. Strokes are monoline and dense, with blunt terminals and compact counters that keep the color solid and bold on the page. Proportions vary subtly from glyph to glyph, giving an organic rhythm; uppercase forms are wide and cushiony, while lowercase keeps simple, single-storey constructions and a short, sturdy feel. Overall spacing is open enough for display sizes, but the thick strokes and small apertures make the texture intentionally chunky and informal.
Best suited to short, high-impact text such as headlines, posters, kids-oriented materials, playful branding, packaging callouts, and sticker or merch graphics. It can also work for UI labels or signage when a friendly, informal voice is desired, especially at medium-to-large sizes where the chunky forms stay clear.
The tone is cheerful and approachable, like marker lettering or cutout shapes used in classroom materials and playful packaging. Its bouncy irregularity reads as human and relaxed rather than precise or corporate, projecting warmth and a lighthearted, youthful energy.
The font appears designed to deliver a bold, friendly hand-made look with simple, rounded shapes and an intentionally imperfect edge. Its goal is to be instantly legible and characterful in display contexts, prioritizing warmth and playful personality over crisp typographic precision.
The design leans on broad silhouettes and rounded geometry, producing strong impact at large sizes and a consistent, poster-like presence across letters and numerals. The most distinctive character comes from the slight wobble in curves and joins, which keeps repetition from feeling mechanical.