Hollow Other Atnu 9 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'FF Meta Headline' by FontFont, 'Whitney' by Hoefler & Co., and 'Akwe Pro' by ROHH (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids branding, stickers, playful, cartoon, bubbly, whimsical, retro, cheerful impact, playful branding, shiny effect, novelty display, rounded, chunky, soft terminals, inline highlight, puffy.
A chunky, rounded display face with inflated, blob-like forms and soft, fully curved terminals throughout. The silhouettes are heavy and compact, while small internal inline cutouts near the tops of strokes create a glossy, hollowed highlight effect that repeats consistently across letters and numerals. Curves dominate construction (notably in C, S, O, and the bowls), with simplified geometry, minimal sharp corners, and generous counters where applicable. Spacing reads open for a heavy face, and the overall texture is bouncy and irregular enough to feel hand-influenced while remaining visually consistent across the set.
Best used at display sizes for posters, headlines, splashy web hero text, packaging, and playful branding where the glossy cutouts can read clearly. It also works well for short labels, badges, stickers, and social graphics, especially when a lighthearted, cartoon-leaning voice is desired.
The repeated inner highlights give the letters a toy-like, shiny “puffed” impression, pushing the tone toward friendly, comedic, and youthful. It feels suited to fun-forward communication—more party banner than editorial—where warmth and approachability matter more than precision or restraint.
The design appears intended to deliver maximum friendliness and visual impact through inflated shapes and consistent internal highlights that suggest shine and depth. The goal seems to be instant character and legibility at large sizes, creating a fun, attention-grabbing wordmark texture rather than a neutral text face.
The inline cutouts behave like a top-lit reflection, adding a dimensional cue without true outline strokes. Numerals match the same inflated logic, with especially bulbous curves in 2, 3, 5, and 8, reinforcing a cohesive, characterful rhythm across mixed alphanumerics.