Sans Normal Myben 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', 'Avenir Next Thai', and 'Avenir Next World' by Linotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, impact, approachability, display clarity, brand voice, rounded, soft, chunky, compact, sturdy.
A heavy, rounded sans with broad, blocky proportions and smooth, curved joins. Strokes stay uniform in thickness, with large counters and clearly defined apertures that keep the forms open despite the weight. Terminals are mostly blunt and squared off, while bowls and curves (C, G, O, S, 8) lean toward circular geometry, giving the face a soft, inflated silhouette. The lowercase shows single-storey constructions (notably a and g) and simple, sturdy shapes; numerals are similarly chunky with prominent curves and stable horizontal bases.
Best suited for display work where impact and clarity are priorities—headlines, posters, branding marks, packaging, and bold signage. It can also work for short bursts of UI or editorial emphasis, but its heavy texture is most effective in larger sizes and tighter messaging.
The overall tone is bold and approachable, combining a sporty solidity with a slightly nostalgic, sign-painting friendliness. Its rounded geometry and dense weight project warmth and confidence rather than sharpness or formality.
The design appears intended to deliver maximum presence with a friendly, rounded voice—combining sturdy, straightforward construction with soft curves for approachability. Its geometry suggests a focus on bold, versatile display typography that remains legible and upbeat.
In text settings, the strong color and wide stance create an attention-grabbing rhythm, with generous interior spaces helping legibility at large sizes. Round letters carry much of the personality, while straighter forms (E, F, H, I, L, T) provide a clean, no-fuss structure that keeps the design from feeling overly quirky.