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Sans Normal Nalig 1 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Ava Grand' by Matt Chansky, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, energetic, friendly, bold, modern, headline impact, clarity, approachability, brand presence, loud messaging, blocky, chunky, compact extenders, geometric, heavyweight color.


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A hefty, geometric sans with broad proportions and large internal counters for its weight. Curves are smooth and strongly rounded, paired with flat terminals and occasional angled joins that add a slightly industrial crispness. The lowercase has a prominent x-height and compact extenders, giving dense, impactful lines in text. Numerals and capitals share the same robust, blocky color, producing a steady, high-impact rhythm across settings.

Best suited for headlines, posters, packaging, and social graphics where strong typographic presence is the goal. It works well for logos and wordmarks that need a friendly but powerful tone, and for signage or wayfinding when set at larger sizes. In longer passages, it functions more as a display face for emphasis (pull quotes, section titles, callouts) than as a primary text font.

This typeface projects a confident, energetic tone with a friendly, accessible feel. Its heavy presence reads as assertive and attention-grabbing, while the rounded construction keeps it approachable rather than severe. Overall it suggests contemporary, no-nonsense messaging suited to bold statements.

The design appears intended to deliver maximum visual impact at a glance, prioritizing strong silhouettes and simple geometry. Large counters and open apertures help maintain legibility despite the heavy stroke mass, making it practical for short bursts of text. The overall construction balances a sturdy, workmanlike solidity with softened curves for an approachable brand voice.

The face maintains consistent, rounded geometry across uppercase, lowercase, and figures, producing a solid, uniform typographic color. The dense spacing and broad letterforms create a compact, punchy texture in multi-line settings, especially in the sample paragraph.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸