Sans Superellipse Abkal 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Kakadu' and 'Marat Sans' by Ludwig Type, 'Mynor' and 'Mynor B' by The Northern Block, and 'Adelle Sans' by TypeTogether (names referenced only for comparison).
Keywords: ui labels, signage, brand systems, headlines, packaging, modern, neutral, clean, friendly, utilitarian, clarity, systematic design, modernization, softened geometry, versatility, rounded corners, soft terminals, geometric, superelliptical, even rhythm.
A geometric sans with superelliptical construction: round letters read as rounded rectangles with gently squared curves, and straight strokes end in clean, lightly softened terminals. Strokes are monoline and steady, with open apertures and simple, compact counters that keep letterforms sturdy at display sizes. The lowercase shows straightforward, single-storey shapes for a and g, a compact e with a horizontal bar, and a pragmatic t with a short crossbar; capitals are broad and stable with a plain, closed G and a Q featuring a simple diagonal tail. Numerals are similarly plain and readable, with a round 0, open 4, and an 8 built from two balanced bowls.
Well suited to interface typography, wayfinding, and product/brand systems that want a modern geometric voice with softened edges. It also works effectively for short headlines, posters, and packaging where sturdy, rounded-square forms help maintain clarity and visual consistency.
The overall tone is contemporary and matter-of-fact, with a friendly softness coming from the rounded-square curves. It feels engineered and systematic rather than expressive, making it easy to pair with many visual styles without adding strong personality.
The design appears intended to deliver a highly legible geometric sans with distinctive superellipse curves—clean enough for functional text settings while adding a subtle, friendly-tech signature in larger sizes.
The squircle-like rounding gives curved letters a subtly technical flavor, especially in C/O/S and the bowls of B/P/R. Spacing appears even and workmanlike, and the shapes favor clarity over calligraphic nuance.