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Free for Commercial Use

Sans Superellipse Otden 3 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Crimestopper JNL' by Jeff Levine, 'Conthey Inline' by ROHH, 'Alma Mater' and 'Oscar Bravo' by Studio K, 'Headlines' by TypeThis!Studio, and 'Gringo Sans' by Volcano Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, condensed, retro, punchy, sturdy, high impact, space saving, graphic punch, rounded, squarish, compact, geometric, blunt.


Free for commercial use
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A compact, heavy sans with rounded-rectangle (superelliptical) construction and tightly controlled curvature. Strokes are consistently thick with minimal contrast, and terminals are blunt with softened corners, producing a dense, poster-ready texture. Counters are small and often squared-off, with narrow apertures in letters like C, S, and e, while vertical stems dominate the rhythm. Overall spacing and proportions emphasize a tall, compact silhouette and a strong, uniform color on the page.

Best suited to short, high-impact settings where strong presence and compact width are beneficial—headlines, posters, branding marks, packaging panels, and signage. It also works for bold UI labels or section headers when you want a sturdy, condensed voice with clear silhouette-level recognition.

The font reads as assertive and utilitarian, with a slightly retro, sign-like flavor driven by its rounded-square geometry. Its compressed heft gives it a confident, no-nonsense tone that feels mechanical and purposeful rather than delicate or expressive.

The design appears intended to deliver maximum impact in limited horizontal space through a highly regular, rounded-rectilinear skeleton and heavy, even strokes. The consistent geometry and dense typographic color suggest a focus on display applications where clarity and punch outweigh delicate detail.

Round letters (O, Q, 0) lean toward squarish bowls, and the lowercase shows single-storey forms (notably a and g) that reinforce the geometric, constructed feel. Dots and punctuation appear solid and prominent, matching the weight and maintaining the dense overall texture in text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸