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Free for Commercial Use

Sans Superellipse Utdul 4 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'FS Industrie' by Fontsmith, 'Belle Sans' by Park Street Studio, 'Nauman' by The Northern Block, 'Obvia Expanded' by Typefolio, and 'JP Alva Expanded' by jpFonts (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, technical, clean, friendly, geometric clarity, robust display, approachable modernity, rounded, squared, sturdy, geometric, compact counters.


Free for commercial use
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A heavy, geometric sans with rounded-rectangle construction throughout. Curves resolve into broad superellipse-like arcs, while corners are softened, producing a squared-yet-rounded silhouette. Strokes stay even and solid, with generous weight and compact internal spaces; apertures on letters like C and S are relatively tight, and bowls on B, P, and R read as firm, modular shapes. Uppercase forms are blocky and stable, and the lowercase keeps a simple, utilitarian structure with single-storey a and g; numerals follow the same rounded-rect geometry, with a softly squared 0 and straightforward, chunky figures.

Best suited to headlines, display typography, and bold branding where its dense color and rounded-square geometry can read confidently at medium to large sizes. It also works well for signage and packaging that benefit from a sturdy, contemporary voice, and for short UI labels where a compact, robust shape holds up.

The overall tone is contemporary and engineered, combining a friendly softness from the rounded corners with an assertive, industrial heft. It feels practical and no-nonsense, suited to interface-forward or product-minded design where clarity and solidity are key.

The font appears designed to merge strict geometric structure with softened edges, delivering a modern, product-oriented sans that feels both approachable and strong. Its consistent rounded-rect construction suggests an intention toward system-like coherence across letters and numbers.

Spacing and rhythm appear slightly condensed in the interior of letterforms due to the tight counters, which amplifies the dense, compact color in text. The design language stays consistent across caps, lowercase, and numerals, emphasizing a cohesive rounded-square motif.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸