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Free for Commercial Use

Sans Other Adnuy 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hanibal' by Hazztype; 'Nanami', 'Nanami Pro', 'Nanami Rounded', and 'Nanami Rounded Pro' by HyperFluro; and 'Malkau' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, branding, playful, retro, chunky, friendly, pop, impact, retro feel, playfulness, brand voice, signage, rounded, geometric, soft corners, stencil-like, compact.


Free for commercial use
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A heavy, rounded geometric sans with monoline construction and large, pillow-like counters. Forms are built from simple circles and rectangles with softened corners, and many joins are tightened into narrow internal apertures that create a subtly cut or keyhole effect (notably in letters like a, e, g, s). Terminals tend to be blunt and vertical, curves are broad and smooth, and the overall rhythm is compact with strong, even color across words. Figures match the letterforms’ chunky geometry, with simplified shapes and minimal contrast.

Best suited to headlines and short bursts of text where its chunky geometry and distinctive apertures can be appreciated—posters, packaging, logos, and bold brand wordmarks. It also works well for playful signage and editorial display settings where a retro, graphic tone is desired.

The font reads as upbeat and characterful, with a distinctly retro display energy. Its rounded massing and quirky internal cut-ins give it a toy-like, pop-graphic feel that comes across as friendly rather than technical.

Designed to deliver maximum impact with a soft, rounded silhouette while adding uniqueness through stencil-like internal shaping. The goal appears to be a friendly, retro-leaning display sans that stays highly graphic and consistent across letters and numerals.

The distinctive internal notches and narrow openings add personality and help differentiate similar shapes at large sizes, while also making the texture feel intentionally stylized. Uppercase forms are particularly strong and sign-like, and the lowercase maintains the same blocky, rounded logic for a cohesive voice.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸