Sans Superellipse Rekot 17 is a light, narrow, low contrast, upright, normal x-height font.
Keywords: ui text, wayfinding, editorial, branding, presentations, clean, modern, neutral, technical, minimal, clarity, modernity, neutrality, usability, monoline, rounded, open, airy, geometric.
This typeface is a clean, monoline sans with gently rounded, superellipse-like curves and a restrained, geometric construction. Strokes remain even with minimal modulation, and terminals read as softly finished rather than sharply cut. Counters are open and uncluttered, giving letters like C, G, and S a smooth, continuous rhythm, while verticals dominate the overall texture. The lowercase is straightforward and legible, with simple bowls and compact joins; numerals are similarly plain and consistent, designed to sit calmly alongside text.
It performs well in interface typography, dashboards, and product UI where clean shapes and consistent rhythm support fast scanning. The controlled geometry and open forms also suit editorial subheads, short paragraphs, captions, and presentation typography. For branding, it works best when a contemporary, understated voice is desired rather than expressive or retro character.
The overall tone is modern and matter-of-fact, projecting clarity and restraint rather than personality or ornament. Its rounded geometry adds a mild friendliness, but the primary impression stays utilitarian and precise, suited to contemporary interfaces and information-forward design.
The design appears intended as a neutral, contemporary sans that emphasizes clarity through simple geometry and soft rounding. Its steady stroke behavior and unobtrusive details suggest a focus on reliable everyday readability for digital and print applications.
In running text, spacing and letterforms create an airy color with clear separation between characters, and the rounded forms keep the texture from feeling harsh. The design avoids decorative quirks, prioritizing consistent shapes and a steady cadence across uppercase, lowercase, and figures.