Sans Superellipse Raguf 2 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Resolve Sans' by Fenotype and 'Bitcrusher' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, condensed, retro, assertive, graphic, quirky, space saving, headline impact, signage style, distinct silhouette, friendly geometry, rounded corners, soft terminals, compact, tall, high contrast (shape).
A tall, tightly condensed sans with a monoline feel and a clear superelliptical construction: curves are pulled into rounded-rectangle shapes, and corners stay softly squared rather than fully circular. Stems are heavy and consistent, counters are compact, and the overall rhythm is vertical and packed. Many letters show subtle flare and rounding at terminals, giving the strokes a slightly sculpted, cutout-like finish. Numerals follow the same narrow, upright proportions with simplified bowls and firm, blocky silhouettes.
Best suited to short, high-impact text such as headlines, posters, cover lines, labels, and storefront-style signage where a compact footprint is useful. It can work well for logotypes and wordmarks that need a tall, distinctive silhouette, and for packaging where tight line lengths benefit from narrow letterforms. For longer passages, it’s most effective when given generous tracking and ample size to keep counters open.
The font reads bold and poster-ready, with a vintage display flavor reminiscent of mid‑century signage and headline typography. Its rounded-rect geometry keeps it friendly, while the tight width and dark color make it feel insistent and attention-grabbing. The overall tone is playful-but-serious: confident, compact, and a bit eccentric in its shapes.
The design appears intended to deliver maximum impact in a compressed width while maintaining a friendly, rounded-rect aesthetic. Its consistent stroke weight and superelliptical curves aim for a clean, unified silhouette that feels both contemporary and referential to classic display lettering.
The narrow set width and dense interior spaces make word shapes strongly vertical, especially in runs of capitals. Round letters such as O/C/G lean toward a squared oval, and letters with diagonals (like V/W/X) keep a crisp, compressed stance that reinforces the condensed texture. Punctuation appears minimal and sturdy, matching the font’s heavy presence.