Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Superellipse Pomut 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Ikigai' by Monotype, 'Hyperspace Race' by Swell Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, poster, industrial, condensed, authoritative, retro, space-saving, high impact, display emphasis, signage clarity, compressed, monolinear, blocky, squared-round, compact.


Free for commercial use
Customize the font name

A compact, tightly condensed sans with heavy monolinear strokes and squared-round (superellipse-like) bowls. Forms are built from vertical rectangles with softened corners, producing a strong, uniform texture and minimal modulation. Counters are small and apertures tend to be tight, emphasizing dark mass and vertical rhythm; diagonals (A, K, V, W, X) stay straight and clean without flare. Lowercase shows a large x-height and short extenders, keeping lines visually dense and highly economical in width.

Best suited to headlines and short, high-impact copy where density and emphasis are desired, such as posters, signage, packaging, and bold brand wordmarks. It can also work for compact labels or UI headings when space is limited, though extended reading will feel heavy due to the dark, condensed texture.

The overall tone is bold and assertive, with an industrial, poster-driven presence. Its compressed proportions and blunt geometry evoke utilitarian signage and vintage display typography, reading as confident and no-nonsense rather than delicate or conversational.

The design appears intended to deliver maximum visual impact in minimal horizontal space, using sturdy monoline strokes and rounded-rectangular geometry to stay legible and consistent at display sizes. Its large x-height and compressed fit suggest a focus on efficient, attention-grabbing typography for bold messaging.

Round letters like O/C/G and numerals such as 0/8/9 lean toward rounded-rectangle geometry rather than true circles, and punctuation (e.g., the exclamation point) is heavy and straightforward. The dense color and narrow set make spacing and line breaks feel tightly packed, especially in longer sample text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸