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Free for Commercial Use

Sans Normal Oddam 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'FF Mark' by FontFont, 'Muller Next' by Fontfabric, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Breno Narrow' by Monotype, 'TT Norms Pro' by TypeType, and 'Artico' by cretype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, sporty, punchy, approachable, impact, legibility, modernity, approachability, display strength, rounded, sturdy, compact, blocky, geometric.


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A heavy, rounded sans with compact proportions and a dense, even color on the page. Curves are broadly drawn and smoothly joined, while terminals tend to finish with softly squared ends that keep the shapes firm rather than bubbly. Counters are relatively tight in letters like B, P, and e, and the overall rhythm favors wide shoulders and strong verticals, giving text a solid, poster-ready presence. Numerals follow the same weighty construction, reading clearly with simple, direct forms.

Best suited to headlines and short-to-medium blocks of text where strong presence is desired—posters, signage, branding, packaging, and promotional graphics. Its compact, weighty forms help it hold up in high-contrast layouts and bold typographic compositions, especially when clarity and punch are priorities.

The tone is bold and upbeat, combining a friendly roundness with a no-nonsense sturdiness. It feels contemporary and energetic, leaning toward an athletic or promotional voice rather than a delicate or formal one. In longer lines, it projects confidence and immediacy, making statements feel direct and attention-grabbing.

The letterforms appear designed to deliver maximum visual impact with friendly, rounded geometry and consistent stroke strength. The aim is likely a versatile, contemporary display sans that stays legible while projecting a robust, energetic personality.

The design balances circular geometry with pragmatic, slightly squared finishing details, which helps it stay crisp at display sizes. The overall impression is consistent across uppercase, lowercase, and figures, with a straightforward, modern structure that emphasizes impact over refinement.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸