Sans Superellipse Fodus 10 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Bega' by Indian Type Foundry, 'Metronic Pro' by Mostardesign, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Bitner' and 'Syke' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, dynamic, confident, modern, punchy, impact, momentum, approachability, modernization, rounded, sheared, compact, smooth, soft corners.
A heavy, right-slanted sans with smooth, rounded-rectangle construction and consistently softened corners. Strokes are largely monolinear, with gently modulated joins and broad curves that keep counters open despite the weight. The italic angle is pronounced and paired with compact, sturdy proportions; lowercase forms show a tall x-height relative to caps, while numerals read wide and stable with rounded terminals and minimal internal detail. Overall spacing feels tight and energetic, creating a dense, forward-leaning rhythm in text.
Best suited to display settings where speed and impact matter: brand marks, athletic and lifestyle graphics, posters, packaging callouts, and short promotional copy. It can work for brief UI or editorial emphasis, but its density and strong slant make it most effective at larger sizes and in concise lines.
The combination of strong weight, assertive slant, and rounded geometry produces a fast, sporty tone that feels contemporary and headline-ready. It reads confident and promotional, with a friendly softness from the corners that prevents it from becoming harsh or mechanical.
The design appears intended to merge italic momentum with robust, rounded construction for a contemporary, high-energy voice. Its softened superelliptical shapes aim to keep the tone approachable while delivering bold presence in headlines and branding.
Round letters (like O/C/G and 0/8/9) lean toward superelliptical ovals rather than perfect circles, reinforcing a squared-off, engineered feel. Diagonals and curves maintain a uniform thickness, and the heavier forms benefit from the generous x-height and open apertures visible in the sample text.