Sans Other Lypi 3 is a very bold, normal width, medium contrast, italic, tall x-height font visually similar to 'Oso Sans' by Adobe, 'Aptifer Sans' by Linotype, 'Nauman Neue' and 'Paradroid' by The Northern Block, 'Fuse V.2 Printed' and 'Gardenia' by W Type Foundry, and 'Domotika Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, merchandise, energetic, sporty, punchy, retro, comic, impact, motion, texture, attitude, display, slanted, angular, chiseled, irregular, compact.
A heavy, forward-slanted sans with angular, chiseled contours and noticeably irregular stroke edges that feel hand-cut rather than mechanically perfect. Letterforms are compact and blocky with frequent beveled corners, shallow inktrap-like notches, and small asymmetries that create a lively texture across words. Curves are tightened into faceted arcs (notably in rounded letters), counters are relatively small, and terminals tend to end in blunt, angled cuts. The overall rhythm is dense and assertive, with uneven internal geometry that keeps the silhouette active.
Best suited to short, high-impact settings such as headlines, posters, event graphics, sports or action-themed branding, and packaging that benefits from a loud, energetic voice. It can work well for logo-like wordmarks and apparel graphics where texture and attitude are desirable, and is most effective when given generous size and spacing.
The font conveys motion and impact, reading as bold and expressive rather than neutral. Its roughened, faceted shapes suggest a playful toughness—somewhere between vintage sports lettering, poster punch, and comic display energy. The slant and chunky forms add urgency and a slightly rebellious, streetwise tone.
The design appears intended as an attention-grabbing display sans that injects movement and grit through slant, faceted curves, and rough-cut detailing. Its construction prioritizes personality and punch over neutrality, aiming to feel dynamic and bold in branding and promotional typography.
In text settings the irregular edges and faceting create strong color and high presence, but also add visual noise that can reduce clarity at smaller sizes. The numerals follow the same chunky, angled construction, matching the headline-oriented personality.