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Sans Superellipse Pigof 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Garmint' by Maulana Creative, 'Brecksville' by OzType., and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, authoritative, condensed, retro, poster-like, space saving, impact, headline focus, geometric consistency, blocky, heavy, compact, squared, rounded corners.


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This typeface is a compact, all-caps–friendly condensed sans with heavy, uniform strokes and rounded-rectangle construction. Curves resolve into squared bowls and softened corners, giving round letters a superelliptical feel rather than true circles. Counters are tight and simplified, terminals are blunt, and joins stay clean and consistent, producing a sturdy, vertical rhythm. Lowercase forms are similarly narrow and robust, with minimal modulation and straightforward punctuation-like details (e.g., simple i/j dots and compact numeral shapes).

Best suited to short, high-impact text such as posters, headlines, logotypes, packaging titles, and bold labels where space is limited but presence is required. It also works well for signage-style applications and condensed title setting that benefits from a strong vertical rhythm.

The overall tone is strong and no-nonsense, with an industrial, poster-forward presence. Its condensed massing and squared curves suggest mid-century display typography and utilitarian signage, reading as confident, assertive, and slightly retro.

The design appears intended to deliver maximum impact in minimal horizontal space, using squared, rounded-rectangle forms to keep letters sturdy and consistent. Its simplified geometry and dense weight suggest a focus on clarity and authority in display contexts rather than delicate text reading.

At larger sizes the dense counters and compact apertures create a solid, impactful texture; in longer lines it can feel visually heavy due to the tight internal space. The uppercase set appears particularly dominant, making the font feel naturally suited to headline and label-driven typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸