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Free for Commercial Use

Sans Superellipse Pigof 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Garmint' by Maulana Creative, 'Brecksville' by OzType., and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, authoritative, condensed, retro, poster-like, space saving, impact, headline focus, geometric consistency, blocky, heavy, compact, squared, rounded corners.


Free for commercial use
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This typeface is a compact, all-caps–friendly condensed sans with heavy, uniform strokes and rounded-rectangle construction. Curves resolve into squared bowls and softened corners, giving round letters a superelliptical feel rather than true circles. Counters are tight and simplified, terminals are blunt, and joins stay clean and consistent, producing a sturdy, vertical rhythm. Lowercase forms are similarly narrow and robust, with minimal modulation and straightforward punctuation-like details (e.g., simple i/j dots and compact numeral shapes).

Best suited to short, high-impact text such as posters, headlines, logotypes, packaging titles, and bold labels where space is limited but presence is required. It also works well for signage-style applications and condensed title setting that benefits from a strong vertical rhythm.

The overall tone is strong and no-nonsense, with an industrial, poster-forward presence. Its condensed massing and squared curves suggest mid-century display typography and utilitarian signage, reading as confident, assertive, and slightly retro.

The design appears intended to deliver maximum impact in minimal horizontal space, using squared, rounded-rectangle forms to keep letters sturdy and consistent. Its simplified geometry and dense weight suggest a focus on clarity and authority in display contexts rather than delicate text reading.

At larger sizes the dense counters and compact apertures create a solid, impactful texture; in longer lines it can feel visually heavy due to the tight internal space. The uppercase set appears particularly dominant, making the font feel naturally suited to headline and label-driven typography.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸