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Free for Commercial Use

Sans Normal Ohdey 2 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Asket' by Glen Jan, 'Bicyclette' by Kostic, 'Conneqt' by Roman Melikhov, and 'Brolink' and 'Downey' by Sarid Ezra (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, modern, friendly, confident, clean, playful, impact, clarity, approachability, contemporary branding, geometric, rounded, compact, high-contrast-free, headline-ready.


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A heavy, geometric sans with uniform stroke weight and generously rounded curves. Letterforms favor simple circular bowls and smooth joins, with squared-off terminals that keep the silhouettes crisp. Proportions are broad and stable, with open counters in letters like C, S, and e, and a straightforward, vertical stance throughout. The lowercase shows a single-storey a and g and a compact, utilitarian t, reinforcing a contemporary, simplified construction. Numerals are sturdy and highly legible, with rounded forms and clear differentiation in shapes like 6/9 and 0/8.

Best suited to display settings where strong presence is needed—headlines, posters, branding, packaging, and short UI or product labels. It also works well for signage and campaign-style typography where clarity at a glance and a friendly contemporary feel are important.

The overall tone is modern and approachable, combining a friendly roundness with a confident, assertive weight. It reads as clean and contemporary rather than technical, and its wide, steady shapes give it a dependable, no-nonsense presence with a hint of playfulness.

The design appears intended as a sturdy, modern workhorse display sans: simple geometric construction, clear counters, and a consistent rhythm that keeps words readable while delivering high visual impact. Its softened curves and straightforward lowercase suggest an aim for approachable, general-purpose branding and headline use rather than a strictly formal or technical voice.

At text sizes the dense weight creates strong color and prioritizes impact over delicacy; spacing feels even and controlled, helping large blocks of copy remain readable. The round forms and simple geometry make it especially consistent across mixed-case settings and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸