Sans Contrasted Obha 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: book text, magazines, editorial, branding, headlines, literary, classic, formal, refined, readability, editorial tone, classic revival, refined branding, print texture, bracketed, flared, transitional, crisp, high-shouldered.
This typeface presents as a crisp, contrasted roman with subtly flared, wedge-like terminals and small bracketed touches that read as serif-like even at text sizes. Strokes show clear thick–thin modulation with smooth joins, and the shapes favor slightly narrow apertures and compact interior counters for a tidy, controlled rhythm. Capitals feel statuesque and evenly proportioned, while the lowercase shows traditional book-text structures (two-storey a, double-storey g) with modest extenders and a steady baseline presence. Numerals are lining and consistent in color, with rounded figures carrying the same tapered terminal behavior seen in letters.
It should perform well for long-form editorial settings such as books, essays, and magazine layouts where a classical texture is desirable. The crisp contrast and confident capitals also suit refined branding, section heads, pull quotes, and packaging that benefits from a traditional, cultivated tone.
The overall tone is traditional and editorial, with a composed, bookish voice that suggests authority and care without becoming ornate. Its contrast and tapered endings add a refined, slightly ceremonial flavor suited to serious reading environments and institutional messaging.
The design appears intended to provide a contemporary, clean rendering of a classic contrasted roman, balancing readability with a polished, heritage-leaning character. Its tapered terminals and controlled proportions aim to deliver an elegant page color that feels at home in print-inspired typography.
In the sample text, the face maintains a stable texture across mixed case, and its punctuation and spacing appear measured rather than airy, reinforcing a dense, print-like cadence. The terminals and stroke modulation give it a calligraphic undertone while remaining restrained and clean in silhouette.