Sans Superellipse Udlap 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'FF Signa Correspondence' by FontFont, 'AmpleNu' and 'AmpleNuSoft' by Soneri Type, 'Bitner' by The Northern Block, and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, app ui, friendly, sporty, modern, approachable, dynamic, friendly impact, modern branding, dynamic emphasis, soft geometry, rounded, soft, blunt terminals, compact curves, geometric.
A slanted, rounded sans with smooth superelliptical curves and gently squared counters. Strokes are monolinear and heavy, with soft corners and blunt, slightly tapered terminals that keep forms compact and sturdy. The italic is built into the shapes rather than applied as a simple shear, giving letters a consistent forward rhythm, especially in the bowls and shoulders. Apertures tend to be moderately open, and the overall spacing feels even, producing a dense but clean texture in text.
This font is well suited to headlines, logos, packaging, and promotional graphics where a bold, friendly italic voice helps create momentum. It can also work in UI and product marketing for short bursts of text, buttons, and labels where rounded clarity and a lively slant are desirable.
The tone is energetic and approachable, combining a sporty forward lean with soft, friendly rounding. It reads as contemporary and informal without feeling messy, making it suitable for upbeat communication and brand voices that want warmth and motion.
The design appears intended to deliver a contemporary, energetic sans with soft geometry—balancing robustness with friendliness through rounded superellipse construction and a true italic drawing. The goal seems to be strong visibility and a distinctive forward motion while maintaining clean, consistent letterforms.
Round letters like O/C show a squarish-round (superellipse) construction, while diagonals in V/W/X are smooth and slightly softened rather than sharp. Numerals are similarly rounded and sturdy, with clear shapes and minimal ornamentation, matching the font’s consistent, modern rhythm.