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Free for Commercial Use

Sans Normal Ombik 3 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Cy Grotesk' and 'Cy Grotesk Std' by Kobuzan, 'Otoiwo Grotesk' by Pepper Type, 'Amsi Grotesk' by Stawix, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, ui labels, modern, confident, friendly, clean, sturdy, impact, clarity, modernity, versatility, branding-ready, geometric, rounded, compact apertures, closed counters, high legibility.


Free for commercial use
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This typeface presents a heavy, solid sans construction with rounded curves and largely geometric proportions. Strokes remain consistent across curves and straights, creating an even, compact texture. The letterforms show broad, squared-off terminals and relatively closed apertures in characters like C, S, and a, which reinforces a dense, punchy silhouette. Uppercase shapes feel stable and blocky, while the lowercase keeps simple, single-storey forms (notably a and g) and straightforward joins. Numerals are robust and clear, with rounded bowls and minimal modulation, matching the overall weight and rhythm of the alphabet.

Best suited to headlines, display typography, and short blocks of text where a strong, high-impact sans is desired. It can also work well for branding, packaging, and UI labels where clarity and presence are important, especially at medium-to-large sizes.

The overall tone is contemporary and assertive, with a friendly neutrality that reads as practical rather than stylized. Its stout shapes and smooth curves give it a confident, approachable presence suited to bold messaging without feeling aggressive.

The design appears intended to deliver a modern, versatile sans with strong visual weight and clean geometry, prioritizing immediacy and readability in attention-driven contexts. The restrained details and consistent stroke behavior suggest an emphasis on dependable, contemporary communication rather than expressive ornament.

The spacing and proportions create a strong, even color in paragraphs, especially at larger sizes. Round letters (O, Q, 8, 9) appear notably full and symmetrical, while diagonals (V, W, Y) are sturdy and maintain consistent visual weight, supporting a cohesive, headline-ready rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸