Sans Superellipse Hagah 6 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Kaisar' by Hazztype, 'Allotrope' by Kostic, 'Absalon' by Michael Nordstrom Kjaer, 'RBNo3.1' by René Bieder, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, technical, confident, friendly, utilitarian, geometric consistency, display impact, modern branding, system clarity, rounded, boxy, geometric, sturdy, compact apertures.
A heavy, geometric sans built from rounded-rectangle (superellipse) forms. Curves are squarish and controlled, with generous corner rounding and mostly monolinear stroke behavior. Counters tend to be wide and rectangular, while apertures on letters like C, S, and e stay relatively tight, giving the face a compact, punchy rhythm. Terminals are flat and blunt, joins are crisp, and the overall proportions favor broad letterforms with stable verticals; digits follow the same rounded-box logic for a highly consistent texture.
Best suited to headlines, branding systems, packaging, and signage where a bold, contemporary voice and quick recognition are important. It also works well for UI labels and dashboard-style typography when you want a rounded, technical aesthetic with strong presence; for long text, it will feel more like a display companion than a quiet workhorse.
The tone is contemporary and matter-of-fact, mixing a technical, engineered feel with approachable softness from the rounded corners. Its dense, confident color reads assertive and reliable, suggesting modern product design rather than editorial subtlety.
The design appears intended to deliver a modern, highly consistent geometric look based on superellipse construction—maximizing impact and recognizability while keeping forms friendly through rounded corners and blunt terminals.
Distinctive superellipse rounds show up strongly in O/Q and the bowls of B/P/R, creating a recognizable “rounded-square” silhouette at both headline and display sizes. The lowercase maintains a sturdy, simplified construction that prioritizes uniformity and impact over calligraphic nuance.