Sans Superellipse Ibbap 2 is a very bold, wide, low contrast, upright, tall x-height, monospaced font visually similar to 'MC Inversa' by Maulana Creative, 'Neumonopolar' by Owl king project, 'Apice' by Stefano Giliberti, and 'Fonetika Mono' by Tokotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, playful, blocky, retro, techy, impact, clarity, compactness, solidity, modularity, geometric, squared, rounded corners, compact counters, stencil-like.
A heavy, geometric sans with squarish, superellipse-driven curves and broadly rounded corners. Strokes are uniform and emphatically thick, with compact internal counters that keep letters feeling dense and dark. Forms lean on simple, constructed geometry—rectangular bowls, flat terminals, and crisp joins—creating a steady, modular rhythm. Numerals and punctuation match the same robust, block-forward logic, producing a consistent, poster-ready silhouette across text and display sizes.
Best suited for short, high-impact text such as headlines, posters, brand marks, packaging callouts, and signage where strong silhouettes matter. It also works well for UI labels, badges, and category tags when a compact, blocky texture is desired. For long-form reading, the dense counters and heavy color may be more effective in brief passages or at larger sizes with generous spacing.
The overall tone is bold and utilitarian with a friendly edge: sturdy, dependable shapes that still read as approachable due to the softened corners. Its chunky proportions and compact apertures bring a retro-industrial flavor, reminiscent of labeling, equipment markings, and arcade-era graphics. The texture is assertive and attention-grabbing, lending itself to energetic, high-impact messaging.
The design appears intended to deliver maximum visual weight with clean, geometric construction and softened corners for approachability. Its consistent, modular rhythm suggests a focus on stable alignment and repeatable shapes, aiming for strong legibility at a glance and a distinctive, industrial-meets-playful personality.
Round letters are notably squared-off, and several shapes show small apertures and tight counters that amplify the ink-trap-like density in heavier settings. The lowercase has a simple, workmanlike construction with minimal stroke modulation, keeping word shapes strong and uniform. The glyphs appear designed to hold up as solid silhouettes in large sizes and when reversed out of color.