Sans Superellipse Ibrar 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Bio Sans Soft' by Dharma Type, 'Navine' by OneSevenPointFive, 'PT Filter' by Paavola Type Studio, 'Hype vol 2' by Positype, 'Fixture' by Sudtipos, and 'Manual' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, confident, industrial, sporty, friendly, punchy, impact, modern branding, signage clarity, geometric unity, rounded corners, blocky, compact, sturdy, high impact.
A heavy, monoline sans with rounded-rectangle geometry and softened corners throughout. Curves are built from superelliptic forms rather than circles, giving counters and bowls a squarish, engineered feel. Strokes are broadly uniform, terminals are clean and blunt, and joins stay crisp without calligraphic modulation. Proportions read compact and stable, with large counters for the weight and a consistent, tightly controlled rhythm across caps, lowercase, and numerals.
Best suited to short, high-impact settings such as headlines, posters, product packaging, and logo or wordmark work where mass and clarity are priorities. The sturdy shapes and generous internal space help it remain legible at medium-to-large sizes, making it a strong option for branding and attention-grabbing display typography.
The overall tone is bold and assertive while staying approachable thanks to the rounded corners and smooth curves. It feels modern and utilitarian, with a sporty, badge-like presence that reads as confident rather than formal or delicate.
This design appears intended to deliver maximum visual impact with a contemporary, engineered silhouette—pairing heavyweight presence with softened geometry to keep the voice friendly and accessible. The consistent rounded-rectangle construction suggests a focus on cohesive branding across letters and numbers.
The alphabet shows a clear preference for straight-sided construction in round letters (notably the O/Q and C/G families), reinforcing a mechanical, signage-friendly personality. Numerals follow the same rounded-rect logic, producing a cohesive set suited to prominent display use.