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Sans Superellipse Yoba 11 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Mega' by Blaze Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, impactful, playful, retro, sporty, chunky, display impact, brand presence, retro sport, friendly boldness, high legibility, rounded corners, blocky, squat caps, soft terminals, ink-trap feel.


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A heavy, block-driven sans with rounded-rectangle construction and softened corners throughout. The forms are built from broad, even strokes with compact counters and pronounced cut-ins that create an ink-trap-like bite at joins and apertures. Curves read as superelliptical rather than circular, giving O/C/G and numerals a pillowy, engineered feel. Uppercase is squat and massive, while the lowercase maintains a large, sturdy body with short extenders and simplified details; overall spacing is open enough to keep the dense shapes readable in display settings.

Best suited for headlines, short statements, and logotypes where strong silhouette and high visual mass are assets. It works well in posters, packaging, and brand systems that want a bold, approachable voice, and it can also fit sports and event graphics where punch and clarity matter. For longer text, it will be most effective at larger sizes with generous line spacing.

The tone is loud and confident, mixing a friendly softness with a rugged, poster-ready punch. Its rounded geometry and chunky weight suggest a retro athletic or arcade sensibility, while the sharp internal notches add a slightly industrial edge. The result feels energetic and attention-seeking without becoming ornamental.

The design appears intended to deliver maximum impact using rounded-rectangular geometry, pairing friendly corners with assertive, carved-in details to preserve character separation in dense, heavy shapes. The consistent superelliptical rhythm and simplified construction point to a display-first typeface aimed at strong branding and attention-grabbing typography.

Notched joins and tightly managed apertures are a defining motif across the set, helping distinguish characters at large sizes and giving the silhouettes a carved, stamped quality. The numerals mirror the same rounded-block logic, with compact interiors and strong horizontal emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸