Sans Superellipse Giduk 2 is a very bold, normal width, monoline, upright, short x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Panton' by Fontfabric, 'Cintra' by Graviton, 'Moderna Condensed' by Los Andes, 'Camore' by Maulana Creative, 'Ordina' by Schriftlabor, and 'Borda' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, friendly, retro, playful, sturdy, techy, impact, approachability, clarity, geometric consistency, brand presence, rounded, squarish, soft corners, compact, blocky.
A heavy, monoline sans with rounded-rectangle construction and softened corners throughout. Curves tend to resolve into squarish bowls and counters, giving letters like O, C, and G a superelliptical feel rather than purely circular geometry. Terminals are blunt and consistently rounded, with simple, sturdy joins and minimal stroke modulation. Proportions read compact, with relatively short lowercase extenders and a low-looking x-height, while capitals stay broad and stable; overall spacing and rhythm feel even and robust at display sizes.
Best suited to headlines, posters, branding marks, packaging, and short callouts where its mass and rounded-square geometry can carry visual presence. It can also work for signage and UI accents at larger sizes, especially when a friendly, durable sans is needed.
The tone is bold and approachable, combining a retro sign-painting sturdiness with a playful, slightly toy-like softness from the rounded corners. Its squarish curves add a mild industrial/tech flavor, keeping it punchy and confident rather than delicate.
The design appears intended to deliver maximum impact with a soft-edged geometric voice: a bold, compact sans that stays approachable while remaining highly legible at a glance. The rounded-rectangle system suggests a desire for consistent, modular shapes that feel modern yet nostalgically familiar.
Distinctive superellipse bowls and rounded-square counters create strong silhouette recognition, especially in letters like B, D, O, P, and Q. The lowercase shows simplified, geometric forms (single-storey a, compact e), and the numerals are equally blocky and high-contrast against the page, favoring clarity over refinement.