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Free for Commercial Use

Sans Superellipse Gybig 15 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'ATF Poster Gothic' by ATF Collection, 'Racon' by Ahmet Altun, 'Factory' by Brainware Graphic, and 'Military Jr34' by Casloop Studio (names referenced only for comparison).

Keywords: headlines, logos, posters, sports branding, gaming ui, techy, industrial, sporty, futuristic, assertive, impact, modernity, systematic, strength, speed, squared, rounded corners, blocky, geometric, compact.


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A heavy, geometric sans built from rounded-rectangle and superellipse-like forms. Strokes are uniformly thick with minimal modulation, producing a dense, solid texture in text. Curves are largely squared-off with softened corners, and counters tend to be rectangular or pill-shaped, often small relative to the stroke weight. Joins and terminals are crisp and horizontal/vertical-leaning, giving the design a machined, modular feel. The figures follow the same squarish logic (notably 0/8/9), and the overall rhythm reads compact and punchy in headings.

Works best for headlines, branding, and short display copy where its blocky geometry and strong weight can carry the visual identity. It suits sports and esports graphics, tech/product packaging, signage, and interface labels that need high presence. For longer paragraphs, it will typically perform better at larger sizes with added spacing to preserve clarity.

The font projects a modern, engineered personality—confident, fast, and slightly game-like. Its squared curves and tight counters suggest technology, equipment, and performance contexts rather than editorial warmth. The bold, compact texture adds urgency and impact, making the tone feel direct and headline-driven.

The design appears intended to deliver maximum impact through a consistent rounded-rect geometry and compact internal spaces, creating a contemporary, industrial display voice. It aims for a unified, system-like look across letters and numerals, emphasizing sturdiness and speed over delicacy.

The letterforms favor squared bowls and rectangular apertures, which increases the sense of structure but can reduce interior openness at smaller sizes. Uppercase shapes appear especially rigid and monolithic, while the lowercase keeps the same geometry for a consistent system. In running text the heavy weight and narrow openings create strong visual mass, best leveraged with generous tracking and line spacing when set in longer passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸