Sans Superellipse Embaw 2 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, branding, sports, technology, ui display, futuristic, technical, sporty, sleek, energetic, modernization, speed, precision, oblique, rounded corners, squared curves, extended terminals, open apertures.
A slanted sans with a superelliptic skeleton: bowls and counters resolve into rounded-rectangle forms with softened corners rather than true circles. Strokes are monolinear and clean, with a slightly aerodynamic, forward-leaning construction and crisp, flattened terminals. The overall rhythm is compact and controlled, with squared curves in letters like C, G, O, and Q, and similarly squared, rounded shapes echoed in the numerals. Apertures stay fairly open and the outlines keep a consistent, engineered smoothness across caps, lowercase, and figures.
Best suited to display sizes where the rounded-square construction and oblique energy can carry a strong voice—headlines, logos, esports/sports identity, tech packaging, and promotional graphics. It can also work for UI labels or interface headings when a sleek, engineered tone is desired, but the pronounced slant and stylization make it more distinctive than a neutral text face.
The letterforms read as modern and performance-oriented, with a tech and motorsport flavor driven by the oblique stance and rounded-square geometry. It feels efficient and purposeful—more machine-made than humanist—projecting speed, precision, and a contemporary digital tone.
Likely intended to fuse the clarity of a monoline sans with a signature superelliptic geometry, creating a fast, contemporary look that remains tidy and legible in short bursts. The consistent rounded-corner logic suggests a goal of strong brand recognition across letters and numerals.
The design’s identity comes from the consistent rounded-corner rectangle logic applied throughout, including the squared-off curves in C/S and the compact, angled joins in letters like k, v, and w. Numerals follow the same theme, with the 2 and 3 showing flattened, streamlined curves and the 8 built from stacked rounded forms.