Sans Faceted Lylo 12 is a bold, normal width, monoline, upright, short x-height font visually similar to 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: headlines, logos, posters, ui display, packaging, techno, industrial, arcade, futuristic, utilitarian, impact, modularity, tech tone, geometric consistency, display clarity, octagonal, angular, chamfered, stencil-like, geometric.
A faceted, geometric sans built from straight strokes and clipped corners, replacing curves with crisp chamfers. The design is monoline in feel with heavy, even stroke weight and squared terminals, producing an octagonal rhythm in rounded letters like O, C, and G. Counters are compact and often rectilinear, while joints are sharply articulated, giving letters a machined, modular look. The lowercase is simplified and mechanical, with a single-storey a and g and a compact x-height relative to the capitals; figures follow the same beveled, blocky construction for consistent texture.
Best suited to display settings where its faceted construction can be appreciated: headlines, logos, game titles, esports or tech branding, packaging callouts, and interface labels for futuristic or industrial themes. It can also work for short blocks of text when generous size and spacing preserve the angular details.
The overall tone is hard-edged and technical, evoking digital hardware, sci‑fi interfaces, and arcade-era display lettering. Its clipped geometry reads as purposeful and engineered, projecting a confident, no-nonsense voice rather than warmth or softness.
This design appears intended to translate rounded sans forms into a sharply planar, beveled system, maximizing impact and consistency across letters and numerals. The emphasis is on a robust, engineered silhouette that signals technology and precision while maintaining clear, modular letter structure.
Wide chamfers at corners create distinctive notches and facets that remain visible even at smaller sizes, but the dense interiors and squared apertures can make similar forms (e.g., O/0, I/1, and some angled capitals) feel close in silhouette. The texture is strong and uniform, with a slightly modular, sign-painting-meets-pixel aesthetic in the way diagonals and joins are resolved.