Sans Faceted Lisy 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Arame' by DMTR.ORG (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, game ui, tech, industrial, arcade, futuristic, mechanical, sci‑fi feel, tech branding, digital display, industrial labeling, geometric experiment, angular, faceted, chamfered, octagonal, blocky.
A faceted, angular sans with chamfered corners and planar cuts that replace most curves with straight segments. Strokes are monolinear and end in crisp diagonal terminals, giving letters an octagonal, engineered silhouette. Counters tend toward squared or polygonal shapes, and diagonals are used sparingly but decisively (notably in V/W/X/Y), producing a tight, modular rhythm. The lowercase follows the same geometric logic, mixing compact forms with occasional taller ascenders/descenders, while numerals and the slashed zero echo the same cut-corner construction for consistent texture in mixed settings.
Best suited for display roles where the faceted construction can read clearly: titles, posters, packaging accents, esports or gaming interfaces, and tech/industrial branding. It can also work for short UI labels or signage where a sharp, engineered voice is desired, while longer body copy may feel visually dense due to the many angular details.
The overall tone reads technical and game-adjacent, like display lettering from digital interfaces, industrial labeling, or sci‑fi environments. Its sharp geometry and clipped corners convey precision and toughness more than softness or warmth.
The design appears intended to translate a geometric, cut-metal aesthetic into a usable alphabet, prioritizing crisp planar facets and modular consistency across glyphs. It aims to evoke machine precision and retro-digital styling while remaining straightforward and legible in short strings.
The design maintains strong stylistic consistency across cases, with distinctive polygonal bowls (e.g., O/Q/0) and a clearly differentiated slashed zero. At smaller sizes the internal angles and narrow joins can create a busier texture, while at headline sizes the faceting becomes a defining graphic feature.