Sans Normal Tyrik 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'Optima' and 'Optima Nova' by Linotype, 'Skeena' by Microsoft Corporation, 'Ocean Sans' by Monotype, 'Alinea Incise' by Présence Typo, and 'Classico' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, punchy, clarity, impact, approachability, simplicity, versatility, geometric, rounded, soft corners, sturdy, clean.
A heavy, geometric sans with round bowls, broad proportions, and mostly uniform stroke thickness. Curves are smooth and full, with softly squared terminals that keep the shapes feeling sturdy rather than delicate. The lowercase has compact, single-storey constructions (notably a and g) and a tall, solid rhythm through the stems; counters stay open enough to remain clear at large sizes. Figures are wide and straightforward, and overall spacing feels generous, supporting a strong, even texture in paragraphs and headlines.
Well suited to headlines, posters, and branding where a confident, friendly sans is needed. The sturdy strokes and open shapes also make it a good choice for packaging and clear, high-visibility signage, especially when set with ample spacing.
The tone is upbeat and contemporary, combining a friendly roundness with an assertive, high-impact presence. Its soft geometry reads approachable and practical rather than corporate or austere, making it feel at home in consumer-facing and editorial settings.
Likely intended as a contemporary, high-impact sans that stays approachable through rounded geometry and simplified letterforms. The emphasis appears to be on clarity and consistency across cases, producing a dependable voice for prominent, attention-getting typography.
The design leans on simple geometric construction throughout, which creates strong consistency between uppercase, lowercase, and numerals. The bold color and rounded forms give it particular presence in short lines and display settings, while the open shapes help maintain clarity in longer samples.