Sans Superellipse Hodih 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Poynter Gothic' by Font Bureau, 'Trade Gothic Display' by Monotype, 'Otoiwo Grotesk' by Pepper Type, 'Core Sans N SC' by S-Core, 'Radiate Sans' by Studio Sun, and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, punchy, contemporary, high impact, approachability, modern branding, geometric cohesion, rounded, soft corners, compact, dense, blocky.
A heavy, rounded sans with superellipse-like counters and softened corners throughout. Strokes are consistently thick with minimal contrast, producing solid, compact letterforms and a dense color on the page. Curves read as squarish-round rather than purely circular, and joins stay sturdy and blunt, giving the design a blocky, graphic silhouette. Numerals and capitals feel especially weighty, while the overall rhythm remains even and stable across text.
Well-suited to headlines, display typography, posters, and brand marks where a strong, friendly block of text is desirable. It can work effectively for packaging and signage that needs immediate visibility and a contemporary, approachable feel, particularly at medium to large sizes.
The tone is bold and approachable, combining a friendly softness with a confident, attention-grabbing presence. Its rounded geometry and chunky proportions make it feel modern and slightly playful, without becoming informal or whimsical.
The design appears intended to deliver maximum presence with a soft-edged geometric construction—prioritizing bold legibility, modernity, and a welcoming tone. Its consistent, superellipse-based shapes suggest a focus on cohesive branding and high-impact display settings.
At larger sizes the tight, substantial shapes create strong impact and clear silhouettes; in longer lines, the dark typographic color can become dominant, favoring short bursts of text over delicate hierarchy. The rounded-square construction is especially evident in bowls and counters, reinforcing a consistent geometric voice.