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Free for Commercial Use

Sans Superellipse Ilha 1 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Forza' by Hoefler & Co. and 'RBNo3.1' by René Bieder (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, app ui, sporty, assertive, dynamic, techy, modern, impact, speed, modernity, branding, display, oblique, compact spacing, rounded corners, squared curves, blocky.


Free for commercial use
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A heavy oblique sans with squared, superellipse-like curves and broadly rounded corners. Strokes are thick and uniform, producing a dense, compact color with minimal modulation and crisp terminals. Counters tend toward rounded-rectangular shapes (notably in O, Q, and the bowls of b/p), while diagonals are strong and clean, giving letters a stable, engineered rhythm. Lowercase forms are large and simplified, with short extenders and tight apertures that favor impact over delicacy; numerals match the same robust, slightly condensed industrial feel.

This font works best in display contexts where impact and speed are desired: sports branding, event graphics, bold headlines, and poster typography. Its sturdy shapes and rounded-rectangular geometry also make it a good fit for modern product packaging, tech-forward identities, and UI elements like buttons or badges when used at sufficiently large sizes.

The overall tone is fast, forceful, and contemporary, with a performance-oriented slant that suggests motion and urgency. Its blocky roundness reads confident and athletic, while the smooth corners keep it approachable rather than harsh. The result feels well-suited to bold, energetic messaging with a modern, technical edge.

The design appears intended to combine high-impact weight with a streamlined oblique stance, balancing aggressive momentum with softened, rounded-corner geometry. It prioritizes strong silhouettes and a unified, engineered rhythm that reads quickly and projects confidence in branding and display settings.

The italic construction appears consistently applied across capitals, lowercase, and figures, creating a cohesive forward-leaning rhythm in text. The heavy weight and compact internal spaces can cause counters to fill in at smaller sizes, but at display sizes it delivers strong silhouette recognition and a punchy texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸