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Free for Commercial Use

Stencil Fido 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'BR Cobane' by Brink, 'Lader' by Groteskly Yours, 'Pulp Display' by Spilled Ink, and 'TT Commons Classic' by TypeType (names referenced only for comparison).

Keywords: posters, signage, packaging, headlines, logotypes, industrial, military, technical, utilitarian, retro, stencil utility, impactful display, system consistency, themed branding, high contrast, hard-edged, geometric, condensed caps, open counters.


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A heavy, geometric sans with stencil breaks applied consistently across round and straight strokes. The forms are built from simple circular and rectangular construction with crisp corners, wide curves, and fairly uniform stroke thickness. Counters tend to be open and simplified, and the stencil bridges often land near vertical or horizontal midpoints, creating strong rhythmic cut-ins (notably in C, G, O, S, and numerals). Uppercase proportions read compact and engineered, while lowercase remains sturdy and legible with similarly mechanical, modular shapes.

Best suited to display settings such as posters, titles, signage, wayfinding, and bold packaging where the stencil detailing can read clearly. It can also work for logo wordmarks and themed graphics that benefit from an industrial or military-inspired voice; extended body text may feel visually busy due to the frequent breaks.

The overall tone is industrial and task-oriented, evoking signage, equipment labeling, and institutional graphics. Its assertive weight and disciplined stencil logic create a no-nonsense, authoritative feel with a slightly retro, utilitarian edge.

The design appears intended to deliver a robust stencil aesthetic with strong geometric structure, prioritizing high-impact recognition and a repeatable, system-like rhythm across the character set. The consistent bridge placement suggests an aim for functional, cut-out letterforms that retain clarity while emphasizing theme.

Stencil gaps are clean and prominent enough to remain visible at display sizes, giving repeated internal notches that become a defining texture in text. The numerals follow the same bridge pattern, reinforcing consistency across alphanumerics and making the 0/8/9 particularly emblematic of the style.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸