Sans Normal Okrub 20 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Arodora Pro' by Arodora Type, 'BR Firma' by Brink, 'Andrial' by Ckhans Fonts, 'Hurme Geometric Sans No. 3' by Hurme, 'Meticula' by KushJain, 'Manifestor' by Stawix, and 'Codec Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, ui, signage, packaging, modern, friendly, clean, confident, utilitarian, clarity, impact, system design, modern branding, legibility, geometric, monolinear, open apertures, round counters, compact joins.
A heavy, geometric sans with largely monolinear strokes and rounded bowls that keep the texture smooth and even. Curves are built from clean circular and elliptical forms, while straight stems stay vertical with minimal modulation. Counters are generous and round, apertures read open, and spacing feels steady, producing a dark but controlled typographic color. The lowercase shows a tall x-height with compact extenders, and details like the single‑storey a and g and the simple, vertical i/j forms reinforce a straightforward, contemporary construction.
Best suited to display sizes, headings, and brand marks where strong presence and clean geometry are desired. It also works well for UI labels, navigation, and wayfinding thanks to its open forms and stable rhythm, and it can serve packaging and promotional typography where clarity and impact are equally important.
The overall tone is modern and approachable, pairing a friendly roundness with an assertive, no-nonsense weight. It reads confident and practical rather than decorative, giving copy a clear, contemporary voice suitable for everyday interfaces and brand systems.
The design appears intended as a contemporary workhorse sans that balances geometric simplicity with everyday readability. Its rounded, consistent forms aim to deliver a dependable, modern look that scales from prominent titles to functional interface text while maintaining a confident visual weight.
The numerals are sturdy and highly legible, with broad shapes and clear differentiation across 0–9. Diacritics aren’t shown, but the basic Latin set in the specimen maintains consistent stroke endings and smooth curve transitions, supporting a cohesive, system-ready feel across headlines and short blocks of text.