Sans Superellipse Ogmek 9 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Crux' by Sensatype Studio, 'Stereohead' by Stationjack, and 'Bananku' and 'Neisson' by Umka Type (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, ui, futuristic, tech, playful, friendly, retro, modernize, brandable, tech feel, display impact, geometric clarity, rounded, squared, geometric, soft corners, stencil-like.
A geometric sans built from rounded-rectangle (superellipse-like) forms with uniform stroke thickness and softened corners. Curves are wide and squarish rather than circular, with generous radii and compact counters that read as rounded squares. Terminals tend to be flat and clean, and several letters use deliberate openings and simplified joins that create a crisp, modular rhythm. Numerals follow the same rounded-rect geometry, with clear, blocky silhouettes and consistent corner treatment.
Best suited to headlines, branding, and short display text where its rounded-rect geometry can define a strong visual identity. It can also work well for UI labels, app/tech product pages, and packaging that wants a modern, approachable, digital feel, especially at medium-to-large sizes.
The overall tone feels futuristic and product-oriented, with a friendly softness from the rounded corners. Its modular, slightly engineered shapes suggest interfaces, hardware, and sci‑fi styling, while the simplified forms keep it approachable and playful rather than severe.
The font appears designed to translate superellipse geometry into a practical display sans, prioritizing a distinctive, modern silhouette and consistent modular construction. Its softened corners and simplified structure aim for high recognizability and a friendly tech character across letters and numerals.
The design language is highly consistent across caps, lowercase, and figures, emphasizing closed, boxy bowls and controlled apertures. Spacing appears even and the forms are optimized for impact at larger sizes, where the distinctive squarish curves and cut-like details are most noticeable.