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Free for Commercial Use

Sans Normal Namud 3 is a very bold, wide, medium contrast, upright, tall x-height font visually similar to 'Decimal' by Hoefler & Co., 'Morandi' by Monotype, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Aksen' by Tokotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, confident, playful, retro, impact, approachability, display clarity, geometric simplicity, geometric, rounded, soft, chunky, high-impact.


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A heavy, geometric sans with broad proportions and rounded, circular construction in bowls and counters. Strokes are thick and consistent, with smooth curves and flat, squared terminals that read cleanly at large sizes. The lowercase shows compact, single-story forms (notably a and g) and a tall x-height, while the caps stay wide and stable with generous interior space in letters like O, D, and P. Overall spacing feels open for such a heavy weight, keeping the texture from becoming overly clogged in lines of text.

Ideal for headlines, posters, and attention-first layouts where a dense, confident voice is needed. It suits branding and packaging that want an approachable, modern-geometric feel, and it can work well for signage or UI callouts when used sparingly at larger sizes. The wide letterforms and open counters help maintain clarity in short phrases and punchy statements.

The tone is punchy and approachable, pairing strong weight with soft, rounded geometry. It feels contemporary and friendly but also evokes a classic poster/advertising sensibility—assertive without becoming severe. The overall impression is upbeat, direct, and designed to grab attention quickly.

The design appears intended as a high-impact display sans that combines geometric roundness with substantial weight for immediate readability and presence. Its tall lowercase and simplified, sturdy shapes suggest a focus on bold messaging, friendly branding, and large-scale typographic texture.

Round letters maintain near-circular counters, and angled forms (V, W, X, Y) are broad and sturdy rather than sharp. Numerals follow the same chunky geometry with rounded shapes and clear differentiation, supporting headline-style numeric callouts. In paragraphs, the weight creates a strong, dark rhythm, suggesting best use at display sizes rather than long-form reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸