Sans Superellipse Gumut 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Salma Alfasans' by Alifinart Studio, 'Hando' by Eko Bimantara, 'Jam Grotesque' by JAM Type Design, 'Just Sans' by JUST Creative, 'RF Dewi' by Russian Fonts, 'Bahn' by Stawix, and 'Ddt' by Typodermic (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, confident, friendly, utilitarian, clean, impact, clarity, modernity, approachability, rounded, geometric, boxy, compact, high-impact.
A heavy, rounded sans with a geometric, superellipse construction that reads as squared-off curves rather than true circles. Strokes are monolinear and dense, with large counters that stay open despite the weight. Terminals are mostly blunt and flat, and joins are crisp, giving the design a sturdy, engineered feel. Uppercase forms are broad and steady (notably the wide bowls of B and the open C/G), while lowercase shows a single-storey a and g with a compact, sturdy rhythm. Numerals are equally bold and blocky, with simple shapes and minimal interior detail for strong legibility at display sizes.
Best suited to headlines, logos, packaging, posters, and signage where a bold, rounded geometric voice is desired. It also works well for UI labels and product naming at medium-to-large sizes thanks to its simplified shapes and strong contrast against the background.
The overall tone is contemporary and straightforward, with a friendly softness from the rounded geometry but an assertive presence from the heavy color. It suggests practicality and clarity—more technical and functional than expressive—while still feeling approachable and modern.
The design appears intended to deliver maximum impact with a clean, modern silhouette—combining rounded-rectangle geometry with blunt terminals for a durable, contemporary look. It prioritizes clarity and visual consistency across letters and numerals, aiming for a dependable display workhorse with a friendly edge.
Spacing appears generous enough to prevent clogging in tight counters, supporting large headings and short bursts of text. The ‘t’ has a short, sturdy crossbar and the ‘j’ descends with a clean hook, reinforcing the compact, no-nonsense texture. Diagonals in letters like V, W, X, and Y are thick and stable, keeping the texture even across mixed-case settings.