Sans Faceted Mifi 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Tenby' by Paragraph (names referenced only for comparison).
Keywords: headlines, logos, posters, gaming ui, signage, techno, industrial, retro, futuristic, arcade, stylization, impact, tech voice, display clarity, geometric consistency, angular, octagonal, geometric, modular, monoline.
This typeface is built from straight strokes and clipped corners, replacing curves with crisp planar facets that create an octagonal, engineered silhouette. Strokes are heavy and largely monoline, producing dense black shapes with sharp terminals and a steady vertical stance. Counters are compact and polygonal, and the overall geometry feels modular, as if constructed from a consistent set of chamfered segments. Spacing and rhythm read cleanly at display sizes, with distinctive, high-contrast-in-shape letterforms that stay cohesive across upper- and lowercase as well as figures.
Best suited for display applications such as headlines, branding, posters, and packaging where its angular construction can be a focal point. It also fits UI labels, gaming/tech visuals, and wayfinding-style signage that benefits from a rugged, geometric voice. For longer passages, it will generally perform better in short bursts or larger sizes than in small, dense text.
The faceted construction and blocky massing convey a techno-industrial tone with a strong retro-digital edge. It evokes signage, machinery labels, and arcade or sci‑fi interfaces, feeling precise, utilitarian, and slightly aggressive. The overall impression is confident and synthetic rather than humanist or calligraphic.
The letterforms appear designed to deliver a distinctive faceted aesthetic while maintaining straightforward sans structure and consistent modular logic. By systematically chamfering corners and simplifying curves into planes, the font aims for a mechanical, futuristic character that remains legible and repeatable across the set.
The design relies on chamfered joins and straight-sided bowls, creating highly recognizable silhouettes and a consistent “cut metal” texture in text. Because many forms are intentionally squared and compact, the font reads most clearly when given enough size and breathing room, where the internal facets and counters can be perceived.