Font Hero

Sans Faceted Miha 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Deciso' by Stefano Giliberti (names referenced only for comparison).

Keywords: posters, headlines, logos, sports branding, game ui, industrial, techno, arcade, athletic, futuristic, impact, machined feel, digital signage, brand voice, display clarity, octagonal, beveled, angular, stencil-like, geometric.

A heavy, geometric sans with curves replaced by sharp, planar facets and clipped corners. Strokes stay largely uniform in thickness, producing a compact, blocky texture with clear octagonal counters (notably in O/0) and squared terminals. The design favors straight segments and chamfered joins; diagonals are crisp and steep, and round letters are constructed from short angled cuts rather than smooth arcs. Lowercase forms are simplified and sturdy, with single-storey a and g, a squared, open e, and a prominent descender on y; overall spacing reads tight-to-moderate, yielding a dense, sign-like rhythm in text.

Best suited for display roles such as posters, titles, packaging, esports and sports branding, and UI elements where a rugged, technical aesthetic is desired. It can work for short bursts of copy—labels, menu sections, or callouts—especially at medium-to-large sizes where the chamfers and counters remain clear.

The faceted construction gives a mechanical, machined tone that feels sporty and digital, reminiscent of cut metal, scoreboard lettering, and arcade-era display type. Its angularity reads assertive and purposeful, with a distinct “engineered” character that emphasizes strength and precision over softness.

The letterforms appear designed to translate a bold sans into a faceted, cut-corner system, prioritizing a strong, industrial voice and high-impact silhouettes. The consistent chamfer logic suggests an intention to evoke fabricated materials and digital/scoreboard conventions while staying legible in prominent, attention-driven settings.

Numerals and capitals share a consistent chamfer language, helping mixed-case settings feel unified. The pointed forms of A/V/W/X/Y and the octagonal bowls in B/D/O/Q create a recognizable silhouette at large sizes; in longer text the high-contrast geometry can feel busy, suggesting use where the distinctive texture is a feature rather than a neutrality requirement.