Sans Superellipse Jibos 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Block Capitals' by K-Type, 'Evanston Tavern' by Kimmy Design, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, sports branding, techy, futuristic, industrial, sporty, sturdy, display impact, tech aesthetic, brand presence, signage strength, rounded corners, rectilinear, modular, squared curves, compact counters.
A heavy, blocky sans built from rounded-rectangle geometry. Strokes are uniform and dense, with broadly squared curves and consistently softened corners that keep the shapes from feeling sharp. Counters are compact and mostly rectangular, and joins tend to be blunt and engineered rather than calligraphic. Proportions are generally wide and stable, with simple, sturdy diagonals and minimal shaping in terminals, producing an overall modular rhythm across uppercase, lowercase, and figures.
Best suited to headlines and short-form display settings where strong silhouette and visual punch matter most—logos, esports/sports identities, product marks, posters, and packaging. It can also work for UI titles or labels in tech-themed interfaces, especially at larger sizes where the compact counters stay clear.
The tone is bold and assertive with a distinctly technical, display-led flavor. Its rounded-square construction suggests machinery, digital interfaces, and sports branding—confident, modern, and a bit retro-futurist. The weight and compact internal spaces give it an impactful, no-nonsense presence.
Likely intended as a high-impact display sans that translates rounded-rectangle construction into a consistent alphabet for bold branding. The design prioritizes a cohesive, modular system and sturdy shapes that hold up in large-scale applications and attention-grabbing typography.
The design relies on repetition of the same corner radius and straight-sided curves, creating strong consistency across glyphs. Figures and capitals read particularly solid and sign-like, while lowercase maintains the same squared, engineered logic, emphasizing uniformity over handwriting cues.