Sans Superellipse Emmor 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Navine' by OneSevenPointFive, 'Hype Vol 1' by Positype, 'Nulato' by Stefan Stoychev, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: branding, sportswear, ui, product design, posters, sporty, technical, modern, dynamic, clean, speed cue, modernization, technical clarity, brand distinctiveness, oblique, rounded, superelliptic, squared-round, linear.
A slanted sans with a smooth, monolinear build and corners that resolve into rounded, squared-off curves rather than pure circles. The geometry leans on superelliptic bowls and rounded-rectangle counters, giving letters like O, Q, e, and g a softly squared silhouette. Terminals are generally clean and open, with minimal stroke modulation and a steady rhythm that keeps word shapes even. Figures are similarly streamlined and slightly condensed in feel, aligning well with the same rounded, technical construction.
Well suited to branding systems that want a modern, kinetic voice, especially in sports, fitness, and technology-adjacent contexts. The clean, rounded construction also fits interface typography, dashboards, and product labeling where an oblique sans can add momentum without becoming decorative. It can work effectively for headlines and short-to-medium text when a streamlined, engineered feel is desired.
The overall tone is brisk and contemporary, with a forward-leaning posture that reads as energetic and purposeful. Its softened geometry keeps the voice friendly while still feeling engineered and performance-minded, suggesting motion, efficiency, and modern product design.
The design appears aimed at combining the immediacy of an oblique sans with a distinctive superelliptic skeleton, creating a recognizable texture that feels both friendly and technical. Its consistent stroke behavior and rounded-rectangle forms suggest an intention to perform reliably across display and functional settings while maintaining a strong, modern signature.
The italic angle is consistent across uppercase, lowercase, and numerals, and the rounded-rectangular construction produces a distinctive “soft-square” texture in paragraphs. Apertures stay fairly open, which helps keep the slanted forms clear, while the simplified joins and terminals maintain a crisp, uncluttered appearance.