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Free for Commercial Use

Wacky Ebloh 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Jawbreak' by BoxTube Labs, 'Block Capitals' by K-Type, and 'Forthland' by Uncurve (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, stickers, playful, quirky, retro, cartoonish, chunky, attention grabbing, humor, retro flavor, friendly impact, distinctive voice, rounded corners, squarish, soft edges, bouncy, irregular.


Free for commercial use
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A chunky, squarish display face with heavy strokes, softened corners, and subtly uneven geometry that feels hand-shaped rather than mechanically constructed. Many forms lean on rectangular bowls and notches, with occasional wedge-like joins and compressed counters that create a tight, packed rhythm. Curves are minimized in favor of rounded rectangles, giving the alphabet a blocky silhouette while keeping a friendly, softened edge. Spacing and widths vary enough to add a jittery, characterful cadence in words.

Best suited to short, high-impact text such as posters, headlines, product packaging, event promos, and punchy brand marks where the quirky, chunky silhouettes can carry the message. It also works well for kids-oriented materials, playful signage, and retro-styled graphics where a lively, oddball texture is desired.

The overall tone is goofy and energetic, with a slightly mischievous, arcade-like personality. Its irregularities read as intentional and humorous, making the text feel animated and conversational rather than formal or technical.

Likely drawn to provide an instantly recognizable, humorous display voice built from chunky, rounded-rect forms and intentional irregularity. The design prioritizes bold silhouettes and personality over neutrality, aiming to feel handmade, bouncy, and memorable in short bursts of text.

The strong mass and compact counters make it most effective at larger sizes, where the distinctive notches and rounded-rect shapes stay clear. In longer passages, the dense interiors and quirky width changes can become visually busy, so it benefits from generous tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸