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Sans Superellipse Imboy 3 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Desuza Pro' by Creative9 (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming ui, logos, sporty, futuristic, assertive, energetic, techy, impact, speed, modernity, branding, display, oblique, rounded, superelliptic, blocky, compressed counters.


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A heavy, slanted sans with wide proportions and a tightly engineered, superelliptic construction. Curves are built from rounded-rectangle forms, giving bowls and counters a squared-off softness (notably in O, Q, 0, and 8). Strokes stay essentially uniform, with broad terminals and clipped angles that create fast-looking notches and cut-ins on letters like S, Z, and the diagonals of K, V, and W. The lowercase is tall and sturdy, with compact apertures and a single-storey a and g; overall spacing and rhythm read dense and punchy, optimized for impact at display sizes.

Best suited to display contexts where strong silhouettes matter: headlines, posters, sports and esports branding, product marks, and punchy UI titles. The dense counters and heavy weight favor larger sizes and short-to-medium strings where the oblique stance and geometric rhythm can read clearly.

The tone is high-energy and performance-oriented, combining a muscular weight with an aerodynamic slant. Its rounded-square geometry and sharp internal cutaways suggest motorsport, gaming UI, and contemporary tech branding, projecting speed and confidence rather than softness or tradition.

The design intent appears to be a modern, speed-coded display sans that balances rounded-square construction with aggressive cuts and a consistent oblique slant. It prioritizes impact, cohesion across letters and numerals, and a distinctly technical, performance-forward personality.

Figures are similarly superelliptic and built for consistency, with the 0 and 8 featuring flattened, rounded corners and tight inner shapes. The Q uses an integrated tail that reads as a cut-in/extension rather than a calligraphic stroke, reinforcing the engineered, modular feel. Several glyphs show purposeful internal notches and angled joins that add motion while keeping the overall silhouette compact and stable.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸