Sans Other Jadiz 5 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'CF Panoptik' by Fonts.GR and 'Grava' by Positype (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, signage, geometric, modernist, techy, playful, clean, distinctive texture, modern branding, geometric clarity, display emphasis, rounded, stencil-like, cut-in terminals, high contrast counters, compact joins.
A geometric sans with monoline construction and deliberately engineered cut-ins that create small breaks at joins and terminals. Bowls and rounds are broad and near-circular, while straights stay crisp and vertical, producing a tidy, modular rhythm. Many letters show distinctive notches or clipped connections (notably in curved-to-stem transitions), giving the face a slightly stencil-like, segmented feel without losing overall solidity. The lowercase is simple and compact, with a single-storey a and g, short ascenders/descenders, and open apertures that keep forms readable at display sizes. Numerals follow the same geometric logic, with smooth curves and consistent stroke endings.
Best suited to branding and headline work where the geometric structure and signature cut-ins can read clearly and contribute character. It should perform well in posters, packaging, and signage that benefit from a modern, designed texture. For long passages of small body text, the decorative segmentation may become visually active, so it’s strongest when given space and size.
The overall tone feels contemporary and slightly experimental—clean and rational at a glance, but with a playful, engineered personality from the recurring cut-in details. It reads as modern, tech-adjacent, and designed, lending a subtle futurist flavor without becoming overtly sci-fi.
The design appears intended to offer a familiar geometric sans foundation while introducing a distinctive, repeatable construction detail—cut-ins at joins and terminals—to create recognizability and a subtle modular/stencil effect. The goal seems to be a contemporary display face that remains clean and legible but carries a unique, system-like identity.
The notched construction becomes most apparent in text, where repeated curved letters (c, e, s, o) and join-heavy forms (m, n, u) create a patterned texture. Capital proportions feel stable and signage-friendly, while the lowercase brings a softer, more approachable voice through rounded shapes and simplified structures.