Groovy Opwi 2 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio and 'MVB Diazo' by MVB (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, event promos, playful, groovy, retro, goopy, cheerful, expressiveness, retro flair, whimsy, impact, texture, blobby, bubbly, soft, quirky, cartoony.
A heavy, blobby display face with rounded, liquid-like outlines and pronounced ink-trap-style notches and dimples that create a glossy, puddled texture. Strokes are generally monoline in feel but shaped by bulges and pinches, producing irregular internal counters and small highlight-like cut-ins across many letters. Terminals tend to be swollen and teardrop-shaped, with compact bowls and softly squared curves that keep the silhouettes bold and simple at a distance. Spacing appears generous and the glyphs have a slightly uneven, hand-formed rhythm that emphasizes shape over strict geometry.
Best suited to display settings such as posters, headlines, product packaging, and campaign graphics where a bold, characterful voice is desired. It also fits playful editorial callouts, children’s media, party and festival promotion, and any branding that benefits from a retro-fun, melty personality.
The overall tone is upbeat and mischievous, evoking a retro, candy-coated psychedelia. Its gooey contours and bouncy proportions make it feel humorous and approachable, with a hint of spooky-silly “slime” energy depending on color and context.
The design appears intended to deliver instant personality through exaggerated, soft-edged forms and a signature “puddled/inked” texture. By prioritizing chunky silhouettes, rounded counters, and lively irregularities, it aims to feel organic and animated while remaining legible in large sizes.
The distinctive edge nicks and inner dimples are a key identifying feature and contribute to a textured, almost glossy finish in longer text. The strong silhouettes read well at display sizes, while the frequent cut-ins and quirky counters can start to visually merge at smaller sizes, favoring short bursts of copy over extended reading.